Lucas Foglia is a fine-art photographer who examines the intersections between humans and wild spaces. His recent book and traveling exhibition, Human Nature, focuses on people in diverse ecosystems who rely on nature in the context of climate change. Foglia exhibits his work internationally, and his prints are in notable collections including the International Center of Photography, San Francisco Museum of Modern Art, and Victoria and Albert Museum.
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The Candid Frame #544 - Shane Balkowitsch
Shane Balkowitsch (born January 24, 1969) is an American wet plate photographer from Bismarck, North Dakota. The subject of his photos is the human condition. Since 2012 he has photographed over 4,000 individuals, including various celebrities and historical figures.
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The Candid Frame #543 - Valerie Jardin
Valerie Jardin is a popular street and travel photographer, educator, and host of the Hit the Street podcast. After leaving a successful career as a professional commercial photographer, she dedicated herself to her personal photography and conducting photo experiences both in the United States and Europe.
She has recently turned her lens to more personal projects including a series of environmental portraits of artists that live and work in her community. Valerie’s latest book Street Photography Assignments: 75 Reasons to Hit the Streets and Learn.
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The Candid Frame #542 - Carissa Dorson
Carissa Dorson is a fine art photographer and cinematographer originally from Silver Spring, Maryland. She graduated with a BFA from Florida State University’s College of Motion Picture Arts in 2011 and then moved to Los Angeles. Carissa's first book of photos, “Conversations with Dad,” a visual conversation with her father, is being published by Kehrer Verlag.
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The Candid Frame #541 - Dotan Saguy
Dotan Saguy is a documentary photographer living in Southern California. His second monograph showcases a new body of work that documents the everyday life of a family of vehicle dwellers with their three young children on the streets of Los Angeles.
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